Monday, January 26, 2015



2015 Left Coast Crime Award Nominations. Congratulations to all!

Left Coast Crime 2015, “Crimelandia,” will be giving four awards at the 25th annual LCC convention, to be held in Portland. The awards will be voted on at the convention and presented at a banquet on Saturday, March 14, at the Doubletree by Hilton Portland. The award nominees have been selected by convention registrants. The nomination period has just concluded, and LCC is delighted to announce the nominees for books published in 2014:

The Lefty has been awarded for the best humorous mystery novel since 1996.
The nominees are:
    • Donna Andrews, The Good, the Bad, and the Emus (Minotaur Books)
    • Timothy Hallinan, Herbie’s Game (Soho Crime)
    • Jess Lourey, January Thaw (Midnight Ink)
    • Cindy Sample, Dying for a Dude (Cindy Sample Books)
    • Diane Vallere, Suede to Rest (Berkley Prime Crime)

The Bruce Alexander Memorial Historical Mystery Award (first awarded in 2004) is given to mystery novels covering events before 1960.
The nominees are:
    • Rhys Bowen, Queen of Hearts (Berkley Prime Crime)
    • Susanna Calkins, From the Charred Remains (Minotaur Books)
    • Catriona McPherson, A Deadly Measure of Brimstone (Minotaur Books)
    • Kelli Stanley, City of Ghosts (Minotaur Books)
    • Jeri Westerson, Cup of Blood (Old London Press)

The Rose, commemorating our Portland location, is for the best mystery novel set in the LCC region.
The nominees are:
    • Chelsea Cain, One Kick (Simon & Schuster)
    • Terri Nolan, Glass Houses (Midnight Ink)
    • Gigi Pandian, Pirate Vishnu (Henery Press)
    • L.J. Sellers, Deadly Bonds (Thomas & Mercer)
    • Johnny Shaw, Plaster City (Thomas & Mercer)

The Rosebud, for the best first mystery novel set anywhere in the world.
The nominees are:
    • Lisa Alber, Kilmoon (Muskrat Press)
    • M.P. Cooley, Ice Shear (William Morrow)
    • Allen Eskens, The Life We Bury (Seventh Street Books)
    • Lori Rader-Day, The Black Hour (Seventh Street Books)
    • Holly West, Mistress of Fortune (Carina Press ebook)

The Left Coast Crime Convention is an annual event sponsored by fans of mystery literature for fans of mystery literature, including both readers and authors. Usually held in the western half of North America, LCC’s intent is to provide an event where mystery fans can gather in convivial surroundings to pursue their mutual interests.

The 25th annual Left Coast Crime Convention will take place in Portland, OR, March 12–15, 2015. This year’s Guests of Honor are authors Chelsea Cain and Timothy Hallinan. Phillip Margolin is a Special Guest. Friends of Mystery are the Fan Guests of Honor. Author Gar Anthony Haywood will serve as Toastmaster.

For more information on Left Coast Crime 2015, please visit

Lucinda Surber & Stan Ulrich, Left Coast Crime Awards Committee Co-Chairs

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Saturday, January 24, 2015

The Reference Shelf: Edgar Allan Poe: An Illustrated Companion to His Tell-Tale Stories reviewed by John E. Simpson

I collect secondary material, so when this 'older' review came to my attention, I asked John E. Simpson if I could reprint it here on Mystery Fanfare. Books are never out of fashion, nor are reviews of good reference books. And, anything about Edgar Allan Poe: The Father of Detective Fiction, has hallowed space on my reference shelf. Thanks, John, for this great review. John E. Simpson is a writer living in Florida. He blogs occasionally at Running After My Hat.

John E. Simpson:
Edgar Allan Poe: An Illustrated Companion to His Tell-Tale Stories by Harry Lee Poe

It's an ungainly thing, this Illustrated Companion: hardbound, eleven inches wide by eight-and-a-half tall, 160 heavyweight pages. Awkward to read in bed, say, and in narrow quarters like an airplane seat. It's purple, ye gods, purple! Impossible to read without drawing attention: conspicuous.

And (at least for a certain sort of Poe aficionado) pure pleasure.

Despite the subtitle's implication, the Illustrated Companion to His Tell-Tale Stories does not include the stories themselves. The pictures, for the most part, illustrate people and scenes from Poe's life; the text is a compressed biography, with brief forays into how the life informed the poetry and fiction (and sometimes vice-versa).

I thought I knew a lot about Poe's life but this book brought a good number of surprises. I didn't know, for instance, that the familiar haunted-mustachioed stereotype was an image which Poe didn't cultivate until the last couple years of his life. (Below, an oval miniature of Poe in his 20s or 30s.)

Of course, all the familiar stuff is here, too: the fractious relationship with his adoptive father, John Allan; the deaths of various beloved women, most often to consumption; his sister, her mind frozen in childhood throughout her long life; his term at West Point and subsequent expulsion for dissipation; his battles with alcohol, his nearly constant desperation over money, and his fights with other authors and editors; and the mean-spirited scheming of his literary executor/executioner, Rufus Griswold, who came close to ensuring that we today would be asking, "Edgar Allan who? Oh, you mean the drunk?"

It's all as sad as it is familiar. The book's author, one-time director of the Poe Museum in Richmond, Virginia, is Harry Lee Poe, a distant cousin of Edgar. And except for that minor twist, because it is so familiar you might wonder how he managed to convince a publisher to undertake yet another bio, however "illustrated."

I don't know the route he took to publication, but I know what makes reading -- handling -- his book an exceptional experience. Take a look:

Scattered throughout the book, five translucent envelopes. In each envelope, facsimiles -- "copies" doesn't do them justice -- of archival Poe materials. For instance:

(a) In envelope #1, the "marriage bond" -- a certificate of payment -- for the marriage in 1806 of David Poe, Jr., to the widow of Charles D. Hopkins. (Little Edgar would come along three years later.)

(b) In the second envelope, a four-page letter from Edgar to John Allan, dated 1831, tearing into his "father" for ensuring yet again that he'd fail at something (in this case, West Point). (Allan had sent him off to West Point with just enough money to enter, but despite Poe's pleading didn't provide enough to continue.) The letter ends, "From the time of this writing I shall neglect my studies and duties at the institution -- if I do not receive your answer in 10 days -- I will leave the point without -- for otherwise I should subject myself to dismission." Scrawled along one tiny side of the folded letter is a note from John Allan:

I recd this on the 10th and did not from it [sic]conclusion deem it necessary to reply... I do not think the Boy has one good quality. He may do or act as he pleases, tho I wd. have saved him but on his own terms & conditions since I cannot believe a word he writes. 

Poe did indeed leave "the point" shortly thereafter -- broken in spirit as well as in funds.

(c) An entire page, folded, of the New York Daily Tribune from October 9, 1849. All of column 3 and most of 4 is taken up by an item which begins, "Edgar Allan Poe is dead. He died in Baltimore the day before yesterday. This announcement will startle many, but few will be grieved by it." This "scathing obituary," as the book's text refers to it, bears the pseudonymous byline LUDWIG; the author's real name: Rufus Griswold.

The contents of these documents fascinate. And if all you care about is those contents, you can satisfy yourself with their transcriptions -- in what looks to be sub-8-point type in the back of the book. Yet it's not what they say, but their presentation, which really sets them apart.

The pages have ragged edges. Stains blot their surfaces. Folds and creases are worn, as though from many months' abrasion against pocket or purse. In spots, some of the documents even have holes in them, where the aged, brittle paper has simply fallen away. (Below, Poe's 1829 army enlistment. Note that at the time he was calling himself Edgar A. Perry.)

Now, from their description here as aged, brittle, and so on, do not assume these inserts are really aged (etc.). No, the paper on which they're reproduced is just as new and strong as that on which the text itself appears. The edges are truly ragged, you can (if you want) put your finger through the holes, but the pages are simply reproduced to appear as old as the originals, in the same sizes, even with the same folds.

(Like many gadget geeks, I looked forward to my first e-book reader, an Amazon Kindle or whatever. I'm now on my second one of those. But the experience of reading the Poe Illustrated Companion is the sort which no e-book reader anywhere on the horizon will be able to duplicate. On the other hand, its shelf life in a busy public library is probably a matter of months, if that long. And you might want to reconsider if you're thinking of buying a used copy!)

Not interested at all in Poe? Bored by his stories, confused by his poems, confounded by his criticism, and maybe feeling -- with Griswold -- that, honestly, the world is a better place for having lost Poe at age 40? You might want to give this one a pass.

But if:
(a) you've an open mind about Poe's work, his life, his reputation, or
(b) you like handling books as well as reading them, or
(c) you're even remotely curious about how people (especially authors) lived and interacted with others 200+ years ago

-- in any of those cases, you will love it.

[NOTE: This review originally appeared, in slightly different format, at The Book Book and on Good Reads.]